Bio
My practice in the last decade has largely centered around photography, art books and small-run collaborative publications.
Since 2022, I’ve also developed a studio practice, working primarily with paint, image transfer and collage, using sign materials such as aluminum and acrylic plastic as a support. This practice overlaps with my small press practice, with leftover prints often being used as collage material.
My work experiments with image and gesture through photography, collage, and formal exploration, dealing with history, memory and place in often-times fragmented ways.
I am a member of WAVE Contemporary, an independently run artist collective in Portland which meets regularly to provide critique and mutual support, as well as organizing group shows.